Fresh Air
Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network. Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.
Keepnews co-founded two of the most important independent record labels of the 1950s and '60s. The Grammy-winning producer passed away Sunday. He spoke to Terry Gross in 1988.

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Kevin Carey'€™s writing has appeared in The New York Times, Slate and The ...
In his new book, Kevin Carey envisions a future in which online education programs solve two of colleges' biggest problems: costs and admissions.

A lot of parents start worrying about paying for college education soon after their child is born. After that, there's the stressful process of applying to colleges, and then, for those lucky enough to get admitted into a good college, there's college debt.

But author Kevin Carey argues that those problems might be overcome in the future with online higher education. Carey directs the Education Policy Program at the New America Foundation. In his new book, The End of College: Creating the Future of Learning and the University of Everywhere, Carey envisions a future in which "the idea of 'admission' to college will become an anachronism, because the University of Everywhere will be open to everyone" and "educational resources that have been scarce and expensive for centuries will be abundant and free."

As an example of how the University of Everywhere might work, Carey points to an online course he took through the Massachusetts Institute of Technology. He tells Fresh Air's Terry Gross, "It [was] the basic intro to biology class. ... The course was taught by a man named Eric Lander, who was the leader of the Human Genome Project in the 1990s. ... The amazing thing ... is that it was essentially in all respects exactly the same class that MIT freshmen take — so all of the same lectures that they saw were actually taped live while MIT students were taking them and then broadcast over this class a couple of weeks later. Both myself and tens of thousands of people around the world from almost every country on Earth who were taking this class online did the same homework, read the same textbooks, took the same exams — both the midterm and the final — and were graded on the same scale. It was an amazing class. I learned a tremendous amount."


Interview Highlights

On why the majority of American college students decide to go to college

When you ask people why they're going to college, overwhelmingly the answer is, "So I can get a better job," because you really can't make it in today's economy without some kind of credential from a post-secondary institution. So partly this [is] being driven by the fact that people need to go to college in order to make their way in the world and get credentials for, frankly, not the tens or even hundreds of thousands of dollars that colleges charge today.

On how college "replicates privilege"

You just have to look at the numbers and you see that people who attend America's most elite universities are disproportionately wealthy, disproportionately well-off, in many cases disproportionately white; their parents both have college degrees, which is unusual. And because college is getting more and more expensive, it's less of a meritocracy, I would argue. If only the rich can afford to go to the "good colleges," then we don't have a system of opportunity; we have a system of replicating privilege that already exists. I think that — given the wider trend of growing inequality in the United States of America — is a huge, huge problem.

On what's wrong with college admissions

The problem with college admissions is that colleges don't really know that much about students. All they kind of have to go on is an SAT [or ACT] score, which is kind of a blunt instrument ... a high school transcript, which is sort of hard to figure out, [and] maybe a personal essay, who knows who wrote the personal essay. So they tend to fall back on, "Is this person a legacy? Did they go to a 'good high school?'" Well, everyone figures out where "good high schools" are and people pay a lot of money in tuition if it's a private high school, or in the real estate market to buy a house near the good high school. And so again the opportunities for students to go to particularly elite colleges that are often the stepping stone toward the best jobs in government or business are in many ways constricted to a narrow band of people.

On why college is so expensive

Colleges are expensive because they can be, because they want to be and because they were built to be that way. ... Colleges are expensive because they occupy a very privileged position in American society. The economy has changed so much, a lot of the blue-collar jobs have disappeared such that people can really only succeed and make a different kind of living if they have some kind of college credential. So if you're in a position where you're the only kind of organization that will sell those experiences and those credentials, then you have a lot of power over the market. Colleges are also driven to compete with one another for status and prestige. Most colleges are nonprofit: They're not trying to maximize their revenue, what they're trying to do is maximize how important they are so that people who work there seem important and like special people.

On the term "University of Everywhere"

The University of Everywhere is the university that I think my children and future generations will attend when they go to college. ... They will look very different in some ways, although not in other ways, from the colleges that I went to and that many of us have become familiar with. This will be driven by advances in information technology: So whereas historically you went to college in a specific place and only studied with the other people who could afford to go [to] that place, in the future we're going to study with people all over the world, interconnected over global learning networks and in organizations that in some cases aren't colleges as we know them today, but rather 21st-century learning organizations that take advantage of all of the educational tools that are rapidly becoming available to offer great college experiences for much less money.

On the advantage of online education programs like edX, which he took his MIT class through

They will and should be much, much less expensive than the tens of thousands of dollars that people are now obligated to pay for college. The online class that I took from MIT — and again, this is exactly the same class that MIT teaches to its own students — cost me nothing. It was free. I signed up and I took the class. All of the classes offered, hundreds of the classes offered by edX from Harvard, MIT, some of the best universities in the world ... they're free. And the reason is because it doesn't cost them any more money to let one more person take the class. Once they've made the investment of building it and taping all the lectures, the marginal cost of letting an additional person take it is nothing. So this kind of marginal cost pricing — where people only pay the marginal cost of what it costs to provide them with the service — is going to drive a lot of the economics of higher education in the future.

Second, people will have a far broader access to educational materials and to other students than they have in the past. ... The design of the university is a design that comes from scarcity, so if you wanted to learn, traditionally, until very recently, you had to go someplace where the other students were, where the smart professors were and where the books were. It was expensive to put all of those things together in one place. ... So there could only ever be a relatively small number of places like that and if you ran a place like that you could decide who comes in the gates and who doesn't, and charge people a lot of money.

We are now headed into a time of abundance when it comes to educational resources. All the books in the world are now available on your iPad or your phone or your computer, or will be soon. The same is true for all of the lectures of all of the smartest people in the world, and the course notes and the problem sets. ... Once they're built, the cost of providing them to the 10,000th student or the millionth student is almost nothing. One aspect of the University of Everywhere is it isn't going to cost nearly as much as $60,000 a year, which is what a private college would charge you today.

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Welcome To Bragsville promo....
T. Geronimo Johnson's latest follows four Berkeley students who take an American history class that leads to disaster. It's an ambitious book about race that wants to say something big about America.

Here's only a partial list of great American writers whose names came to mind as I was reading T. Geronimo Johnson's new novel, Welcome to Braggsville: Tom Wolfe, Mark Twain, Toni Morrison, H.L. Mencken, Don DeLillo, David Foster Wallace, Norman Mailer and Ralph Ellison, Ralph Ellison, Ralph Ellison. Johnson's timely novel is a tipsy social satire about race and the oh-so-fragile ties that bind disparate parts of this country into an imperfect and restless union. It's an ambitious book that not only wants to say something big about America, but aims to do so in a big American voice that contains multitudes.

The premise alone of Welcome to Braggsville hints at its energy and audaciousness. Our hapless main character here is a young, white, working-class Southerner named D'aron Davenport. He spells his name with an apostrophe because that's just how they do things in his hometown of Braggsville, Ga., a place where, as the locals say, "every wrong turn was a dead end." D'aron is smart enough to get a scholarship to Berkeley — or "Berzerkeley" as he quickly comes to think of this alien college planet where professors and fellow students alike speak in tortured tongues derived from multiculturalist theory. Eventually, shell-shocked D'aron meets up with three other students hovering on the fringes: an earnest girl from Iowa named Candice who claims to be part Native American; an African-American guy named Charlie from inner-city Chicago; and Louis, a sassy Asian teen from San Francisco whose goal in life is to become, as he says, "the next Lenny Bruce Lee, kung fu comedian."

In their sophomore year, this band of friends makes the fatal error of signing up together for a course called "American History X, Y, and Z: Alternative Perspectives." You can imagine the academic farce fun that Johnson has in describing this laissez faire course, which seems to require only that its students "dialogue" with each other and submit video projects at the end of the term. One day in class, the topic of historical reenactments comes up and D'aron lets slip that his hometown of Braggsville stages a kind of glorious "Lost Cause" Civil War battle reenactment every year. Faster than you can say "performative intervention," D'aron's friends persuade him that it would be cool to visit Braggsville and stage a scene to helpfully remind its residents about the horrors of slavery. Louis, the Asian guy, will be in blackface, playing a slave; when he acts "uppity," he'll be whipped and then mock lynched by the other three students. What ensues, however, once D'aron and his idealistic friends reach Braggsville, is an out-of-control disaster in which Confederates in the Attic meets A Confederacy of Dunces.

As a social satirist, Johnson is an equal opportunity mocker. The smug insularity of the elite university classroom is mirrored by the militant anti-intellectualism of Braggsville. D'aron and his friends may be guilty of being too easily led by their "Berzerkeley" injections of Noam Chomsky and Judith Butler, but so, too, are the Braggsvillians, marching and whooping behind the banner of the Confederacy. Ditto the Nubian Black Separatists, KKK Klansmen and other groups of protesters who pile into the fray. After the decidedly unfunny tragic turning point of this novel, its plot flags a bit, but Johnson's exuberant language never does.

Like Ellison's masterpiece, Invisible Man, Welcome to Braggsville deploys all sorts of different voices and narrative techniques (stream-of-consciousness poetry, fantasy and straight-up realism) to explore all the myriad ways Americans miscommunicate when we try to talk about race. The novel ends with a tour-de-force riff on black history, which, Johnson writes, "in its myriad inversions, loops, whorls, coils, corkscrews, spirals; from slavery to Jim Crow to the Carceral State ... [is] the helix that stitches the U.S. of A.'s social DNA." Welcome to Braggsville isn't quite Invisible Man or White Noise, but it gets within hailing distance of their heights. It's as American as chattel slavery and Lenny Bruce Lee.

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